Believing in the responsibility of artists as visual historians, Kim explores the evolving definition of identity and home at times of geographical and cultural shifts. As an immigrant, she collects used garments as a witness of the trace of lives. Through this medium, Kim seeks to uncover one’s true self and a sanctuary in the midst of transitions.

“Mockingbird” portrays the early stage of identity crisis, where individuals camouflage themselves within their surroundings. This series serves as a proof of the trace of life embedded in these garments, dedicated to immigrant communities navigating the challenges of assimilation.

“Home for the Mockingbird” depicts the new stage of defining oneself. Monochrome fabrics symbolize the synthesis of innate and acquired identities, serving as testament to hybridization in a world where neither birthplace nor current residence defines us singularly.

Kim’s exploration of ‘identity’ and ‘home’ began during her own nomadic journey. In this world, we all traverse as wanderers, continually shaping and merging new identities, with the possibility of multiple homes. Through her work, Kim aims to navigate the ever-changing self and offers a path towards finding a place to call home.